Wednesday, September 29, 2004

The Coming of Conan The Cimmerian by Robert E. Howard

The Coming of Conan The Cimmerian
by Robert E. Howard
463 pp. Ballantine Books 2003


The first 13 of Robert E. Howard's Conan the Barbarian stories have just been re-published in this trade paperback.

Don't judge these by the standards of the Schwarzenegger films. (I happen to like those films, but for other reasons.) Written in the 1930s, these are literally the original sword and sorcery stories, with the brutal Conan constantly encountering monsters, enslaved princesses and evil sorcerers. Anyone who likes fantasy should read at least a couple, even if only to see how the genre began. My personal favorite is "The Tower of the Elephant."

Now for the caveats.

These stories were aimed at a largely male pulp magazine audience. This was the 1930s equivalent of today's action film. Therefore, the testosterone quotient is pretty high. Women are usually depicted as weeping damsels in distress, which won't please some female readers.

The plots shamelessly cater to adolescent male fantasies and insecurities. Conan, the man of action, is always able to master whatever unexpected situation he's thrown into, usually by kicking butt all over Cimmeria, or Aquilonia, or whatever mythical country he finds himself in. Beautiful women melt at the mere sight of him. The plots are contrived so that these women are forced by circumstances to share his company. By the time the story's over, they refuse to leave him.

When you get right down to it, the sullen, inarticulate Conan is essentially a rather one-dimensional character. But I didn't care about that when I read these stories as a teenager.

After Howard committed suicide, other authors somehow took over the franchise and kept writing new Conan stories. Avoid these inferior works. I think they are now out of print, but they turn up regularly in used bookstores.

Conan

To the Castle Dangerous

From "The Tale of Sir Gareth" in Malory's Le Morte D'Arthur

Sir Gareth and an unpleasant nameless "lady" are forced to seek shelter in Sir Persaunte's castle. Gareth retires to bed and finds his virtue sorely tested -- a recurring theme in these tales:

That evening he (Sir Persaunte) summoned his beautiful daughter, who was aged eighteen: "My daughter, if you would please me, go to Sir Gareth, lie in his bed, take him in your arms and kiss him, and make him welcome as only a woman can."

At her father's bidding, the daughter went to Sir Gareth's bed, quietly undressed, and got in beside him. Sir Gareth swore, and asked: "Pray, who are you?"

"Sir, I am Sir Persaunte's daughter, and I come at his command, not of my own free will."

"Are you a maid or a wife?"

"Sir, I am a maid."

"Then God forbid that you should remain. It would be as shameful for me as for your father; so I beg you, return to him."

The daughter duly returned to her father, and told him all that had happened. "He must indeed be of noble blood," her father responded.

In the morning Sir Persaunte asked the lady where she was taking Sir Gareth.

"To the Castle Dangerous," she replied.

From Malory's Le Morte D'Arthur, A New Rendition by Keith BainesMentor/New American Library ©Copyright 1962